Edouard Koehn, an independent watchmaking brand based in La Chaux-de-Fonds, has revived a classic timepiece from the past. The brand, which pays homage to the original watchmaker of the same name who lived from 1839 to 1908, was brought back to life by industry veteran Bernard F. Fleury in 2015. Fleury, known for his work as the CEO of Vulcain, rediscovered one of the original timepieces at an auction and was captivated by the brand's history.
The latest creation from Edouard Koehn is the Legacy Rattrapante Chronograph, an elegant split-second chronograph inspired by one of the brand's pocket watches from 1900. This special complication was developed in collaboration with Concepto and features a cam-operated movement that has been extensively reworked to include split-seconds functionality. The watch's design was honed with inputs from Khaled Zainalabedin of 10tenlabs.
The Legacy Rattrapante faithfully captures the aesthetics of the original pocket watch in a 40mm wristwatch. Its stainless steel case features rectangular pushers and a fluted crown with a coaxial pusher for the split-seconds function. Despite its automatic movement, the watch feels surprisingly slim thanks to thoughtful design choices and a box sapphire crystal. It is also water resistant to 50m.
The dial of the Legacy Rattrapante is crafted with Donzé Cadran and features black Breguet numerals against a white grand feu background for lasting clarity. Red accents add a touch of vibrancy to the dial. The chronograph seconds hand is activated by the pusher at 2 o'clock, while the split-seconds function is controlled by the coaxial crown pusher. A pusher at 4 o'clock allows for the reset of the chronograph.
The Edouard Koehn Legacy Rattrapante Chronograph is presented on a black alligator strap with a light blue alligator lining and secured with a steel folding buckle. It is released in a limited edition of 50 pieces. If you're looking to add a timeless and elegant split-second chronograph to your collection, this watch is definitely worth considering.
